elmohler
Bedroom Rocker

Posts: 2
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« Reply #90 on: September 07, 2009, 07:36:39 AM » |
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Zapped,
Thank you!! This is exactly what I was looking for. Yes to your question, I am trying to reconcile those two scale types. The missing notes concept fills in the holes very nicely. Thanks again.
Eric
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Zapped
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« Reply #91 on: September 07, 2009, 08:58:56 AM » |
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Cool, I'm glad I could help. btw if you're just get started, you may not realize that the natural minor scale and it's corresponding (or relative) major scale have a very simple relationship. If you have a major scale, the relative minor scale is found starting 3 half-steps lower. If you have the natural minor scale, the relative major scale is found 3 half-steps higher.
Example: C major, down 3 half-steps to the relative A minor Example: B minor, up 3 half-steps to the relative D major
The reason that only two of the chord-shapes in my chart below have the 3 half-step relationship has to do with the rigid use of C, A, G, E, D as the chord-names for these positions.
Major 1 (E) = Minor 2 (Dm) * only 2 half-steps between major & minor shapes Major 2 (D) = Minor 3 (Cm) * only 2 half-steps between major & minor shapes Major 3 (C) = Minor 4 (Am) * relative major to relative minor, 3 half-steps Major 4 (A) = Minor 5 (Gm) * only 2 half-steps between major & minor shapes Major 5 (G) = Minor 1 (Em) * relative major to relative minor, 3 half-steps
So what's strange in this table, based on the 3 half-step rule I mentioned earlier, is...
E major's relative minor is C#m. D major's relative minor is Bm. A major's relative minor is F#m.
Well, in each case, those minor chord shapes (C#m, Bm, F#m) are unorthodox & would break the simple CAGED scheme. So the "virtual nut" or "root fret" of the position is shifted by a half-step to use a minor chord in the Cm-Am-Gm-Em-Dm set. When you map those three minor positions (Dm, Cm, Gm) to corresponding frets, they're in a slightly different position than the corresponding major shapes - off by one fret.
I'll let you flesh out those details. Try starting with G major (major position 1 at fret 3) and E minor (minor position 2 starting at fret 2, although the lowest note on the E string is at fret 3). If you work out all the positions you'll see the alignment issues for yourself. If it's too much, don't sweat it. This is pretty advanced stuff but should interest you if you want to understand the patterns fully.
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- Jim Austin, TX
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aeondream
Bedroom Rocker

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« Reply #92 on: September 10, 2009, 02:04:37 PM » |
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Where are the PDF's on your website that you mentioned in the youtube video about playing scales in 3rds?
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silly6-string
Bedroom Rocker

Posts: 22
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« Reply #93 on: October 14, 2009, 11:34:42 PM » |
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whats a easy way to learn scales. I can play them on 1 string. but i wanna learn them up and down from 6th string to the 1st. I know how there made wwhwwwh. I know major pent and minor pent. But now i want to learn the major.
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nephente
School Prom Hero
 
Posts: 32
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« Reply #94 on: October 15, 2009, 12:34:22 AM » |
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Dude, there's a whole section about scales on this very website...
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coboltz
Bedroom Rocker

Posts: 3
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« Reply #95 on: October 27, 2009, 02:37:32 AM » |
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hey guys...wanna ask... for all major scales.... ( or even minor pentatonic scales ) how do we know which frets the scales are? like the chord boxes doesn't show which frets they are in.... and im can't do my scales without knowing which part of the neck they lie in!!!! so...help me out yeah?  and for positions 3 and 4 scales... when we play down to the 6th string, do we go back up to the root note to end our scale? thanks!!! 
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nephente
School Prom Hero
 
Posts: 32
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« Reply #96 on: October 27, 2009, 03:03:51 AM » |
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hey coboltz, you seem to know the five positions. the diagrams give you the position of the root-note. move the shape up or down the neck until the 'R' coincides with the root you wanna play. for that you'd need to know where the notes are on the neck.
And yes, start and end a scale on the root note.
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coboltz
Bedroom Rocker

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« Reply #97 on: October 27, 2009, 04:44:33 AM » |
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oh hi nephente...thanks for answering my post... but... you know for the E shape major scale, the root note is at a G. then why is it an E shape major scale?
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nephente
School Prom Hero
 
Posts: 32
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« Reply #98 on: October 27, 2009, 07:08:46 AM » |
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Don't confuse the top of those diagrams with the nut of the guitar! The shapes can be moved around the neck as you like. If you want to play a G-major scale then play it with the 'R' on the 3rd fret 6th string (6:3). Want C#-major? Play the same pattern with the 'R' on (6:9). Now the answer why it's referred to as E-shape: Take a look at the red notes in the diagram. I hope you recognize the open E-major chord.
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coboltz
Bedroom Rocker

Posts: 3
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« Reply #99 on: October 28, 2009, 03:13:20 AM » |
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oh!!! thanks a lot!!! i was actually figuring out where should i play the scales on... so its an e SHAPED scale. not an e major scale.
Okay... i see i seee thanks a lot mate!!
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Taylor
Bedroom Rocker

Posts: 3
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« Reply #100 on: October 31, 2009, 02:37:14 PM » |
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I'm a little confused with the root note stuff. Is the root note which note I'm supposed to start with?
And if so, what do I do if say, the sixth string pattern is 1 2 4 and the root note is 2?
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Bootstrap
Pub Night Playa
  
Posts: 194
Matonaholic
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« Reply #101 on: October 31, 2009, 04:59:19 PM » |
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I'm a little confused with the root note stuff. Is the root note which note I'm supposed to start with?
And if so, what do I do if say, the sixth string pattern is 1 2 4 and the root note is 2?
Then you start on the 2 and ascend up the scale to the end, then descend the scale back to the 1 and then ascend back to the 2 to finish - capice? Cheers, Bootstrap
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I only play to support my Maton habit! Road Case last update 13 Nov '09
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