JA-027 • II-V-I Chord Sequences

[justinguitar]

Questions...

[DickT]

Justin... I love your lessons, in particular the Jazz series -- my new passion. I've been anxiously waiting for these latest series about Functioning and Static Extensions, Altered Harmony, Chords Grips, etc...  the lights (my lights!) finally came on. I've always wanted to understand these b5 #5 b9, #9 extensions/additions and for the life of me I couldn't find anything as well explained as you have. BRAVO! and thanks a million.

Now I have to start exploring on my own all the grips you just went through that opens a whole lot of new possibilites for me. Looking forward to JA-028 & JA-029.

Congratulations also on finishing your new CD!

[subseb]

Hi Justin, awesome lesson.

A 8:10, you start putting all together and it's really cool. Although i understant it's a bit asking chewing food for me, would you (or someone) put a chord sequence diagram with the lesson ? Replaying again and again moves give a bit of headpain.

Best

[kinderpat]

Great Lesson, this is just what I'm trying to work out with my teacher.

I love the sound you have on this lesson, could you please post your set-up ? I recognize the Fender Telecaster, but what about any effect/amps etc. ?

Thanks.

[Quark]

Great lesson Justin, I now see what Robben Ford was trying to explain in his Ojai clinic.Thank you!

W

[styler]

What would be really fantastic is a follow-up to the ii-V-I lesson on improvisation: What arpeggios and scales (e.g. melodic minor, major) or modes can be played consonantly with your excellent, easy-to-follow examples? I was a blues guitarist with classical training who's come back to the axe after a 34-year dry-spell. Trying to learn jazz this time. Your approach is brilliant. But I would like to know how methodically and melodically to fit all those scales smoothly into that ii-V-I thing. Cheers from Jeff in Biarritz.

[styler]

What would be really fantastic is a follow-up to the ii-V-I lesson on improvisation: What arpeggios and scales (e.g. melodic minor, major) or modes can be played consonantly with your excellent, easy-to-follow examples? I was a blues guitarist with classical training who's come back to the axe after a 34-year dry-spell. Trying to learn jazz this time. Your approach is brilliant. But I would like to know how methodically and melodically to fit all those scales smoothly into that ii-V-I thing. Cheers from Jeff in Biarritz.

PS: I realize I should have posted this message under "recommendations for lessions" instead. Mea culpa. I am a new-comer. JS